This is an album that I didn’t get a chance to listen to properly when it first came out from Holland, but it is very interesting, and did get some good coverage in the music press. It has a definite eighties vibes, as Lars Meijer is using digital synths like the DX7 — but it also has some great filmic moments, where you can picture characters breaking out into a chase sequence. The style of the music is probably on par with someone like John Maus, where they are both working with and reinterpreting these sounds for a new century. It also has some of that musical optimism that you would hear in English pop bands like Talk Talk.